An experimental motion and spatial installation exploring how perception is shaped by position, context, and bias. The project asks a simple but critical question: How much of what we see is truth, and how much is shaped by where we stand? Using layered compositions, optical illusions, and projected motion, the work transforms as the viewer—or "camera"—moves through space. Images, forms, and hidden relationships only fully emerge when light passes across overlapping surfaces, creating moments of distortion, disappearance, and revelation. What appears fixed from one angle shifts entirely from another, turning perception into an active, unstable experience. Created using Adobe After Effects, Adobe Premiere Pro, Adobe Illustrator, and Adobe Photoshop, the project explores design as a small intervention—one that momentarily disrupts automatic seeing and invites viewers to question how they interpret images, media, and the world around them.
An experimental motion and spatial installation exploring how perception is shaped by position, context, and bias. The project asks a simple but critical question: How much of what we see is truth, and how much is shaped by where we stand? Using layered compositions, optical illusions, and projected motion, the work transforms as the viewer—or "camera"—moves through space. Images, forms, and hidden relationships only fully emerge when light passes across overlapping surfaces, creating moments of distortion, disappearance, and revelation. What appears fixed from one angle shifts entirely from another, turning perception into an active, unstable experience. Created using Adobe After Effects, Adobe Premiere Pro, Adobe Illustrator, and Adobe Photoshop, the project explores design as a small intervention—one that momentarily disrupts automatic seeing and invites viewers to question how they interpret images, media, and the world around them.
An experimental motion and spatial installation exploring how perception is shaped by position, context, and bias. The project asks a simple but critical question: How much of what we see is truth, and how much is shaped by where we stand? Using layered compositions, optical illusions, and projected motion, the work transforms as the viewer—or "camera"—moves through space. Images, forms, and hidden relationships only fully emerge when light passes across overlapping surfaces, creating moments of distortion, disappearance, and revelation. What appears fixed from one angle shifts entirely from another, turning perception into an active, unstable experience. Created using Adobe After Effects, Adobe Premiere Pro, Adobe Illustrator, and Adobe Photoshop, the project explores design as a small intervention—one that momentarily disrupts automatic seeing and invites viewers to question how they interpret images, media, and the world around them.
Installation view: projected onto layered fabric.
